There Ain’t No Party Like a KPOP Party
By Sarah AsquithWhen Jackie Chan’s JJCC and Starship Entertainment’s Boyfriend flew down to join the Lunar New Year celebration in Sydney, hundreds of fan-girls and -boys stopped, dropped, and rolled (or
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‘ Reflections in Real Time’ by Kilo Kish: Album Review
By Helen TranKilo Kish’s new record– good for a listening session which includes a bottle of white, a sunny day, and zero pants.Kilo Kish’s newly released second album ‘Reflections in Real Time’ is
Clubs and Societies: The Big Lift
The Big Lift’s (TBL) recent collaboration with UTSoC has resulted in exciting new opportunities for budding journalists and videographers. We had a chat with TBL’s President Jen Ng to learn
Gone but Not Forgotten: Bar Century
By Cameron Hart Just over a month ago, one of Sydney’s best and brightest stopovers en route to getting #whitegirlwasted on a professional level, Bar Century, permanently closed its doors. Soon
REVIEW: The Removalists, UTS Backstage
By Madeline CloustonThe Removalists – a true-blue Aussie work by David Williamson fondly remembered by many as a HSC Drama text, kicked off the UTS Backstage 2016 season. The story
Silver Foxes and Ticking Boxes: How Malcolm Turnbull Succeeds at Doing Nothing
By Cameron Hart The first time my sister met Malcolm Turnbull, she didn’t know who he was.Granted, at the time he was but a lowly Federal Minister of Communications, and that,
20th Biennale of Sydney: Editor’s Picks
10 things you’ve just gotta see at #20BOS – from your friendly neighbourhood Culture EditorWords & Photos by Ante BruningThe 20th Biennale of Sydney is here!Sydney’s largest contemporary art festival
Vertigo Mixtape: Trailblazers
By Helen Tran and Martyn ReyesIt's finally here. We've just launched our beautiful, first issue and we hope your excitedly flipping through the pictures, marvelling at all the amazing talent
Vertigo Chats to Aussie Director Simon Stone
By Taylor DennySimon Stone’s film directing debut The Daughter invites audiences to consider the meaning of family and sacrifice through resurfaced memories and revelations. The Australian film showcases the work
Mardi Gras Beyond the Glitter
By Cameron ManionIt’s 2016, almost four decades since the first ‘Gay and Lesbian’ Mardi Gras of Sydney, and it’s still not unusual to hear phrases from ‘straight acting’ or ‘real